It is a hot day in the Metmow, and the Rainocious Rhinoceros and his rhinoceros ward, Eustace, are relaxing outside the Cloud Shed, looking out over the R.R.’s pond. Beneath the surface, a luxuriant crop of pond weeds is growing, and Bernice, the cattle egret will soon harvest some for the rhinoceroses’ dinner. She plans a chilled pond weed vichysoisse, which will be served in metal bowls set inside larger metal bowls filled with shaved ice. Eustace is working on his first book of poetry, to be called “Orpheus Rhinoceros,” consisting of odes to his beloved-from-afar, the sweet, lumbering Geraldine. Geraldine is a demure rhinoceros living in the adjacent metmow, who loves photography and painting, and who is not entirely insensible to Eustace’s sentiments, elongated as they may be. Little does she know that Eustace has penned a wedding-song, or epithalamion, to be inserted as an appendix to the book once he has indicated his interest, proposed, been accepted, and gotten married. Eustace has consulted his Oxford Rhyming Dictionary, and has found an incalculable number of rhymes for “Geraldine.” Some, like “latrine” and “obscene,” must be employed carefully. Others, such as “murine,” can be used only as part of a larger analogy, e.g., to describe Geraldine’s quietness. But there are many, many others, enough so that, if he wanted, he could write several alexandrines — perfect meter for conveying the rhyme — in complete assonance. The Rainocious Rhinoceros, however, has advised Eustace, in his avuncular way, that it might be more prudent to spread the Geraldine-rhymes out in his poetry, so that they might achieve greater effect when at last deployed. But Eustace has filled several pages of a yellow tablet with the rhymes, and is now hard at work on the meter.
His first attempt:
The goddess of love, all betwixt and between,
Has caused me to write you an alexandrine.
Eustace is immediately beset by difficulties over the placement of the caesura, or break. In the first line, it appears naturally, but in the second line, it would seem to fall between “write” and “you.” This does not match the logic of the line, since it means taking a breath before the idea is done. Ideally, it would have to fall after “you,” but this is a little too late. He turns the second line over in his mind. Try as he might, he cannot get the caesura to fall where it needs to go.
The Rainocious Rhinoceros, seeing his consternation, asks if perhaps he might consider relinquishing the alexandrine for the moment, and trying a double dactyl:
Higgledy piggledy
Eustace Rhinoceros
Wants to arrange for his love to be seen.
Writing a poem is
just about perfect to
Declare his love to the fair Geraldine.
Eustace considers the R.R.’s effort carefully. He does not think that “just about perfect to” is a very good line. It seems to him to be full of filler. But the R.R. reminds him that “betwixt and between” is a cliche, and this is not an aspersion on Eustace’s muse, because most poems have cliches in them, and filler, too. Such poems are perfectly acceptable for many occasions, including publication in some of the Metmow’s finer poetical reviews. Truth to be told, though the R.R. does not mention it, these reviews are almost entirely filled with light verse, and the letters MFA, when appended to the name of an animal, mean nothing more than “Mighty Fine Animal.” In point of fact, all creatures in the metmow are Mighty Fine Animals, and thus all more than qualified to write fiction, poetry, and creative nonfiction without further ado. That most of them do not is a tribute to their good sense and good taste.
But at this moment, before anything more decisive can be said on the subject, the Total Turtle Tea Trolley arrives, glinting warmly in the sunlight. The Chief Tea Turtle is capped in a headdress consisting of black and iridescent blue peacock quills, and clad in a shimmering mauve foil dust ruffle. The Under Tea Turtles are wearing white terry cloth sweatbands to each of which are attached ten quarter-length Ticonderoga 2H pencils, sharpened points facing upwards, giving them an appearance at once menacing and literary. They are wearing Tyvek dustruffles which have been imprinted with colorful maps of the world, circa 1989. The Tea Treats for today are Petits Écoliers biscuits, each with its magnificent tablet of bittersweet chocolate, almond macaroons, of the light Parisian variety (and not the leaden Passover variety), a seaweed salad with cilantro and a hint of nam pla, and succulent Khadrawi dates. The tea for today is a mint and lemongrass melange, served from a bright yellow ceramic teapot swathed in a blue-and-white Marimekko tea cozy with patterns of concentric circles. Wildflower honey is available for interested parties.
The two rhinoceroses ask the Tea Turtles if they would like to divulge their favorite poems. The Chief Tea Turtle declares that his favorite line in all poetry is Wallace Stevens’s:
Let be be finale of seem.
The only emperor is the emperor of ice-cream.
The other Tea Turtles murmur that this is indeed a spectacular line, but Sedgwick, the littlest Tea Turtle, has one of his own.
And the heart of earth
Opens itself, where
Around the hill of oaks
From a burning land
The streams and where
On Sundays, among dances
The threshholds are hospitable to guests
On streets strung with garlands, quietly swaying.
The rhinoceroses and turtles are amazed, and ask Sedgwick where he could have possibly read that? It would appear that Bernice, who doubles as the Chief Librarian of the Metmow Public Library, had sent Sedgwick home with a volume entitled A Child’s Garden of Hölderlin, not realizing that Sedgwick would start looking for Apollo in the fountain outside Tea Turtle Headquarters. All is revealed now, and the Chief Tea Turtle, with help from the Rainocious Rhinoceros, convinces Sedgwick that Ancient Greece was not the Greatest and the Best, now Tragically Lost. The Chief Tea Turtle remarks that ancient pastry has been quite superseded by the modern, and that a diet of baklava would soon prove monotonous. Better to take one of those Petits Écoliers. And Sedgwick assents.